Tag Archives: Dolly Grip

I’ve recently been fortunate enough to get some feedback from some very experienced unit stills photographers on my previous article TT 02 – 5 Crucial on set relationships and this week I’m going to add 3 more key relationships for a photographer’s success on a film set. Camera Crew – The most important camera operators...

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  • Ken StrainDecember 9, 2014 - 6:21 am

    You’re forgetting the boom operator. I am a boom operator, and I have a few still photographer friends. They love working with me, because I maintain an awareness of their position and what they’re trying to get. By helping them get their shot, they can leave the scene quicker, and I can have more room to work. Just make sure you’re not getting in my way, and I’ll make sure my elbow or body is clear of your shot.

  • PSbyAYJanuary 13, 2015 - 11:22 am

    That’s an incredibly insightful comment and I am a little embarrassed that I hadn’t included my esteemed sound department colleagues. Booms ops and sound recordists can absolutely be key relationships for the stills photographer on set. Thanks for making contact!