I’ve recently been fortunate enough to get some feedback from some very experienced unit stills photographers on my previous article TT 02 – 5 Crucial on set relationships and this week I’m going to add 3 more key relationships for a photographer’s success on a film set. Camera Crew – The most important camera operators...
You’re forgetting the boom operator. I am a boom operator, and I have a few still photographer friends. They love working with me, because I maintain an awareness of their position and what they’re trying to get. By helping them get their shot, they can leave the scene quicker, and I can have more room to work. Just make sure you’re not getting in my way, and I’ll make sure my elbow or body is clear of your shot.
That’s an incredibly insightful comment and I am a little embarrassed that I hadn’t included my esteemed sound department colleagues. Booms ops and sound recordists can absolutely be key relationships for the stills photographer on set. Thanks for making contact!